For the seventh straight year, Maricopa County Superior Court aims to be the largest National Adoption Day in the United States.
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NEW YORK (AP) — Bill Cosby's appearances at Casinos in Las Vegas and Tucson, Arizona have been canceled amid widening allegations of sexual assault. Officials at the Treasure Island hotel-casino on the Las Vegas Strip say they've mutually agreed with comedian Bill Cosby to cancel his upcoming performance Treasure Island spokeswoman Michelle Knoll said "it wasn't a good time" for the Nov. 28 performance. She added that ticketholders will be given refunds, No reason was given by Diamond Desert Casino in Tucson, Arizona for the canceled Feb. 15 show. In the past week, numerous allegations of sexual abuse by Cosby from a number of women have led to canceled interviews and NBC and Netflix projects. "The Cosby Show" also was pulled off the air on TV Land. Cosby issued a statement Sunday discrediting decades-old accusations and his attorney has denied four of the allegations. Thursday night, he appeared in Bahamas at a benefit for a women's service organization. Including an appearance in Melbourne, Florida tonight, Cosby is slated to perform at least 36 shows between now and May 2015.
LOS ANGELES — All is not well in Panem. At the conclusion of “The Hunger Games: Catching Fire,” Katniss’s (Jennifer Lawrence) force-field shattering arrow left the society in turmoil. The desperate act was perceived as subversion, inciting populist uprisings and devastating counter attacks by the governing elite.Thus, revolution is on the horizon in the franchise’s third installment, “Mockingjay - Part 1,” and it all hinges on Katniss, the unwitting face and spirit of the movement. You see, Katniss, much like the movie star actress who plays her, is just generally liked. Everything she does is slapped with meaning and significance, regardless of her intentions. She has become the property of the people.This has always been clear to Plutarch Heavensbee (Philip Seymour Hoffman), who aims to use her as a propaganda machine. But there’s a problem: the girl on fire has flamed out.In the chaos that followed the conclusion of the second film, Peeta (Josh Hutcherson) was captured by the Capitol, District 12 was destroyed -- though Katniss’s mother, sister and the steely jawed Gale (Liam Hemsworth) escaped alive) -- and Katniss was taken by the militaristic District 13. Their President, Alma Coin, (franchise newcomer Julianne Moore) needs her to be their poster girl.“Mockingjay - Part 1” is, ultimately, a slow-burn portrait of the repeated rise and fall of dystopia’s most reluctant hero, nimbly told through its examination of the mechanics of propaganda. With the help of Plutarch, Haymitch (Woody Harrelson) and the toned-down (but still delightful) Effie Trinket (Elizabeth Banks), Katniss attempts to serve the cause in her own way.But it’s not just a matter of convincing her to forget, or at least shelve, her past traumas. Katniss’s confidence and devotion to the revolt is put to the test when she sees how the evil President Snow (Donald Sutherland) is manipulating Peeta and using him for his own propaganda needs.
NEW YORK (AP) — Mike Nichols, the director of matchless versatility who brought fierce wit, caustic social commentary and wicked absurdity to such film, TV and stage hits as "The Graduate," ''Angels in America" and "Monty Python's Spamalot," has died. He was 83. The death was confirmed by ABC News President James Goldston on Thursday. Nichols died Wednesday evening. Goldston said the family was holding a small private service this week. During a career spanning more than 50 years, Nichol, who was married to ABC's Diane Sawyer, managed to be both an insider and outsider, an occasional White House guest and friend to countless celebrities who was as likely to satirize the elite as he was to mingle with them. A former stand-up performer who began his career in a groundbreaking comedy duo with Elaine May and whose work brought him an Academy Award, a Grammy and multiple Tony and Emmy honors, Nichols had a remarkable gift for mixing edgy humor and dusky drama. "No one was more passionate than Mike," Goldston wrote in an email announcing Nichols' death. His 1966 film directing debut "Who's Afraid of Virginia Woolf?" unforgettably captured the vicious yet sparkling and sly dialogue of Edward Albee's play, as a couple (Richard Burton and Elizabeth Taylor) torment each other over deep-seated guilt and resentment. "Angels in America," the 2003 TV miniseries adapted from the stage sensation, blended rich pathos and whimsy in its portrait of people coping with AIDS and looking to the heavens for compassion they found lacking in Ronald Reagan's 1980s America. Similarly, Nichols' 2001 TV adaptation of the play "Wit" packed biting levity within the stark story of a college professor dying of ovarian cancer. Nichols, who won directing Emmys for both "Angels in America" and "Wit," said he liked stories about the real lives of real people and that humor inevitably pervades even the bleakest of such tales. "I have never understood people dividing things into dramas and comedies," Nichols said in a 2004 interview with The Associated Press. "There are more laughs in 'Hamlet' than many Broadway comedies." He was a wealthy, educated man who often mocked those just like him, never more memorably than in "The Graduate," which shot Dustin Hoffman to fame in the 1967 story of an earnest young man rebelling against his elders' expectations. Nichols himself would say that he identified with Hoffman's awkward, perpetually flustered Benjamin Braddock. Mixing farce and Oedipal drama, Nichols managed to capture a generation's discontent without ever mentioning Vietnam, civil rights or any other issues of the time. But young people laughed hard when a family friend advised Benjamin that the road to success was paved with "plastics" or at Benjamin's lament that he felt like life was "some kind of game, but the rules don't make any sense to me. They're being made up by all the wrong people. I mean no one makes them up. They seem to make themselves up." At the time, Nichols was "just trying to make a nice little movie," he recalled in 2005 at a retrospective screening of "The Graduate." ''It wasn't until when I saw it all put together that I realized this was something remarkable." Nichols won the best-director Oscar for "The Graduate," which co-starred Anne Bancroft as an aging temptress pursuing Hoffman, whose character responds with the celebrated line, "Mrs. Robinson, you're trying to seduce me." Divorced three times, Nichols married TV journalist Diane Sawyer in 1988. He admitted in 2013 that many of his film and stage projects explored a familiar, naughty theme. "I keep coming back to it, over and over — adultery and cheating," he says. "It's the most interesting problem in the theater. How else do you get Oedipus? That's the first cheating in the theater." Not just actors, but great actors, clamored to work with Nichols, who studied acting with Lee Strasberg and had an empathy that helped bring out the best from the talent he put in front of the camera. Nichols often collaborated with Jack Nicholson, Meryl Streep and Emma Thompson. Other stars who worked with Nichols included Al Pacino ("Angels in America"), Gene Hackman and Robin Williams ("The Birdcage"), Harrison Ford, Melanie Griffith and Sigourney Weaver ("Working Girl") and Julia Roberts ("Closer"). In 2007, Nichols brought out "Charlie Wilson's War," starring Tom Hanks and Julia Roberts. Just as he moved easily among stage, screen and television, Nichols fearlessly switched from genre to genre. Onstage, he tackled comedy ("The Odd Couple"), classics ("Uncle Vanya") and musicals ("The Apple Tree," ''Spamalot," the latter winning him his sixth Tony for directing). On Broadway, he won nine Tonys, for directing the plays "Barefoot in the Park" (1964), "Luv" and "The Odd Couple" (1965), "Plaza Suite" (1968), "The Prisoner of Second Avenue" (1972), "The Real Thing" (1984), and Arthur Miller's "Death of a Salesman" (2012). He has also won in other categories, for directing the musical "Monty Python's Spamalot" (2005), and for producing "Annie" (1977) and "The Real Thing" (1984). "I think a director can make a play happen before your eyes so that you are part of it and it is part of you," he said. "If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives." Though known for films with a comic edge, Nichols branched into thrillers with "Day of the Dolphin," horror with "Wolf," and real-life drama with "Silkwood." Along with directing for television, he was an executive producer for the 1970s TV series "Family." Nichols' golden touch failed him on occasion with such duds as the anti-war satire "Catch-22," with Alan Arkin in an adaptation of Joseph Heller's best-seller, and "What Planet Are You From?", an unusually tame comedy for Nichols that starred Garry Shandling and Annette Bening. Born Michael Igor Peschkowsky on Nov. 6, 1931, in Berlin, Nichols fled Nazi Germany for America at age 7 with his family. He recalled to the AP in 1996 that at the time, he could say only two things in English: "I don't speak English" and "Please don't kiss me." He said he fell in love with the power of the stage at age 15 when the mother of his then-girlfriend gave them theater tickets to the second night of the debut of "A Streetcar Named Desire" starring Marlon Brando in 1947. "We were poleaxed, stunned. We didn't speak to each other. We just sat like two half-unconscious people. It was so shocking. It was so alive. It was so real," he said. "I'm amazed about our bladders because we never went to the bathroom and it was about 3 1/2 or 4 hours long." Nichols attended the University of Chicago but left to study acting in New York. He returned to Chicago, where he began working with May in the Compass Players, a comedy troupe that later became the Second City. May and Nichols developed their great improvisational rapport into a saucy, sophisticated stage show that took on sex, marriage, family and other subjects in a frank manner that titillated and startled audiences of the late 1950s and early '60s. "People always thought we were making fun of other people when we were in fact making fun of ourselves," Nichols told the AP in 1997. "We did teenagers in the back seat of the car and people committing adultery. Of course, you're making fun of yourself. You're making jokes about yourself. Who can you better observe?" Their Broadway show, "An Evening With Mike Nichols and Elaine May," earned them a Grammy for best comedy recording in 1961. The two split up soon after, though they reunited in the 1990s, with May writing screenplays for Nichols' "Primary Colors" and "The Birdcage," adapted from the French farce "La Cage aux Folles." After the break with May, Nichols found his true calling as a director, his early stage work highlighted by "Barefoot in the Park," ''The Odd Couple," ''Plaza Suite" and "The Prisoner of Second Avenue," each of which earned him Tonys. Other honors included Oscar nominations for directing "Who's Afraid of Virginia Woolf?", "Silkwood" and "Working Girl," a best-picture nomination for producing "The Remains of the Day," and a lifetime-achievement award from the Directors Guild of America in 2004. Never one to analyze his career and look for common themes, Nichols would shrug off questions that sought to link his far-flung body of work. "What I sort of think about is what Orson Welles told me, which is: Leave it to the other guys, the people whose whole job it is to do that, to make patterns and say what the thread is through your work and where you stand," Nichols told the AP in 1996. "Let somebody else worry about what it means." The family will hold a private service this week; a memorial will be held at a later date, Goldston said. ___ AP Drama Writer Mark Kennedy contributed to this report.
LOS ANGELES — All is not well in Panem. At the conclusion of “The Hunger Games: Catching Fire,” Katniss’s (Jennifer Lawrence) force-field shattering arrow left the society in turmoil. The desperate act was perceived as subversion, inciting populist uprisings and devastating counter attacks by the governing elite.
The holidays are around the corner and local West Valley artists have been busy creating one-of-a-kind gifts in glass, clay, acrylics, oils, wood, beads and more. WHAM holiday artwalks will be from 10 a.m. to 3 p.m. Nov. 29 and Dec. 13. Admission is free to the public.